'What's up?'
'Bloody Burnley away son, that's what's up'
In Indiana Jones and the Last Crusade, we can find Harrison Ford’s most profound/cheesy/tediously predictable moment in film. Faced with choosing the sweet apple of the Holy Grail from a line-up mainly featuring gaudy onions festooned with jewels and bling, beckoning him with their shiny little cubic zirconia ring-adorned bastard fingers, Indy picks a small wooden cup. A symbol of humble hopes and dreams. A cup neither unblemished by symbols of the greed of man, nor blighted by the accessibility only great wealth can facilitate.
